Shatta Wale Declares Himself African Dancehall King: Fires Shots at Stonebwoy and Samini in Epic Performance

<"Shatta Wale performing at the Presidential FA Cup competition 2025".>
Shatta Wale Declares Himself African Dancehall King: Fires Shots at Stonebwoy and Samini in Epic Performance

The ever-vibrant Ghanaian music scene is once again buzzing with drama, excitement, and electrifying declarations. Today, July 6, 2025, the charismatic and controversial musician Shatta Wale took center stage at the Ghana Presidential FA Cup finals between Hearts of Oak and Asante Kotoko, a match that already had the nation on edge. But it wasn’t just the football match that stole the spotlight, Shatta Wale's explosive performance and bold statements did too.

Standing proudly before thousands of fans at the stadium and millions more watching online, Shatta Wale reaffirmed his place in African music history. With unwavering confidence, he announced, "If you are new in Ghana, this is the most wanted artiste in Ghana and the African Dancehall King."

This powerful declaration was more than just a boast; it was a direct response to a heated ongoing debate about who truly deserves the "Dancehall King" crown in Ghana and beyond.

The argument over who holds the true dancehall crown has been simmering for years in Ghana. However, recent events have reignited this fiery feud, bringing it back into the limelight.

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It all started when Stonebwoy, another heavyweight in the Ghanaian music industry, made headlines by claiming he was the originator of the "Afro Dancehall" genre. 

Stonebwoy made this bold assertion shortly after Billboard celebrated the rising Ghanaian star Molly, who achieved a massive milestone. Molly's hit song, Shake It To The Mass, topped the Afrobeat category on USA's Apple Music for an impressive three consecutive weeks.

Stonebwoy used this moment to stake his claim, perhaps hoping to ride on the wave of Afro Dancehall's increasing global popularity. He boldly declared that he had laid the foundation for this genre, positioning himself as a pioneer and visionary.

Unsurprisingly, Stonebwoy’s statement did not sit well with many music fans, particularly Shatta Wale’s loyal supporters. The internet exploded with heated debates and passionate arguments. Social media timelines were flooded with hashtags like #DancehallKing, #ShattaMovement, and #AfroDancehallOriginator as fans worldwide defended their favorite artists.

Supporters of Shatta Wale quickly pointed out that the title "African Dancehall King" has long been associated with Wale, not only in Ghana but across Africa. They highlighted that major platforms such as Apple Music and Shazam have officially recognized Shatta Wale’s contributions to the genre, effectively cementing his place as a key figure in dancehall music.




As if the drama wasn’t enough, Ghanaian music legend Samini jumped into the fray, adding more fire to the already blazing debate. Samini, who is widely respected for his pioneering work in dancehall and reggae music, declared that he, not Stonebwoy, is the true originator of Afro Dancehall.

Samini’s entry into the conversation brought an interesting twist. Having mentored Stonebwoy early in his career, Samini’s words carried significant weight. His involvement also underscored the deep-rooted competitive spirit and generational pride within Ghana’s dancehall scene.

While the internet buzzed with speculation and analysis, Shatta Wale remained relatively quiet until today’s performance. 

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His silence, however, was not a sign of weakness but rather a strategic move to let the tension build before delivering a knockout blow on a massive platform.

In his usual larger-than-life fashion, Shatta Wale chose the perfect stage: the Presidential FA Cup final, one of Ghana’s biggest sporting events, watched by a nationwide audience. As the crowd roared and the atmosphere electrified, Shatta Wale delivered his message loud and clear.

"If you are new in Ghana, this is the most wanted artiste in Ghana and the African Dancehall King," he declared, his voice echoing through the stadium and resonating across social media platforms moments later.

This was not just a casual introduction; it was a calculated reaffirmation of his identity and brand. With those few words, Shatta Wale reignited his dominance in the dancehall genre and reminded everyone of his monumental influence both locally and internationally.

Shatta Wale's journey to becoming Africa’s dancehall king is a story of resilience, innovation, and raw talent. Known for hits like My Level, Melissa, and Taking Over, he has consistently pushed the boundaries of dancehall music, infusing it with uniquely African rhythms and themes.

Over the years, he has cultivated a massive fanbase known as the "Shatta Movement," a loyal community that supports him through every controversy and triumph. His ability to connect with the streets and the youth has made him not just an artiste but a cultural icon in Ghana.

The ongoing debate among Shatta Wale, Stonebwoy, and Samini might seem like mere entertainment drama to some, but it also highlights the vibrant, competitive nature of Ghana’s music industry. These rivalries drive creativity and keep the genre alive and evolving.

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Moreover, such debates bring global attention to Ghanaian music, exposing new audiences to the country’s diverse and rich musical talents. By asserting their positions so publicly, these artistes help to shape narratives around Afro Dancehall and push for greater recognition on the international stage.

In the aftermath of Shatta Wale's stadium proclamation, social media has been ablaze with reactions. Fans of Shatta Wale feel vindicated and energized, proudly sharing clips of the performance and praising his unwavering confidence.

Stonebwoy’s fans, on the other hand, continue to defend their idol, arguing that his contributions to the Afro Dancehall movement cannot be ignored. Samini's supporters have also chimed in, asserting that the veteran artiste deserves more respect for his foundational role.

Industry experts and music critics have weighed in as well. Some believe that the debate is healthy for the genre, keeping it in the public eye and encouraging artistes to innovate. Others, however, caution that too much focus on titles and ego clashes can distract from the music itself and limit opportunities for collaboration.

As the dust settles from this latest chapter in Ghana’s dancehall saga, one thing is certain: the conversation is far from over. Shatta Wale's bold statement has set the stage for even more discussions, interviews, and possibly new diss tracks.

Will Stonebwoy respond with another claim or a musical rebuttal? Will Samini continue to assert his legacy in the genre? Or will we see a surprising collaboration that bridges the divides and showcases the true spirit of Ghanaian music? Only time will tell.

In the meantime, music lovers and cultural commentators alike will continue to watch closely, analyzing every move and anticipating the next big moment.

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What do you think about Shatta Wale's latest declaration? Is he truly the African Dancehall King, or do Stonebwoy and Samini have valid claims?

Drop your thoughts in the comments section below. Let’s keep the conversation going and celebrate the incredible talent coming out of Ghana and Africa at large.

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