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| Jah Phinga speaking on Hitz FM about Volta Region labeling, global streams, and Ghana music industry challenges |
The Afrima Awards nominee, 3Music Awards nominee, and Volta Awards Artiste of the Year 2020, Jah Phinga (The Gongman), stirred conversations across Ghana’s music space after his revealing appearance on Hitz FM.
Also Read, Jah Phinga - Time Will Tell (Prod By Deprinze Beatz). Mp3 Download
What was supposed to be a routine interview turned into a bold reality check for the Ghanaian music industry—touching on regional labeling, language barriers, fandom toxicity, and how international audiences sometimes value Ghanaian artistes more than their own country does.
Watch the full interview here👇
This wasn’t just another radio
interview. It was Jah Phinga challenging the system.
“Volta
Region Artiste” – A Compliment or a Cage?
When host Kwame Dadzie asked
how he felt being described as a Volta Region Artiste, Jah Phinga didn’t
shy away from the truth.
Yes, representing your people is
beautiful.
But labels can also become ceilings.
“It doesn’t matter where recognition
is coming from, but it limits you sometimes.”
This statement hits hard because it
exposes an uncomfortable truth:
Ghana’s music industry still boxes artistes by geography instead of
talent.
Ironically, Jah Phinga revealed that
his music resonates massively outside Ghana.
- He’s huge in Togo
- Has performed at concerts there
- Receives calls from Benin
- And enjoys strong international streaming numbers
So why is Ghana still struggling to
fully embrace him?
Language
in Music: Advantage or Barrier?
One of the most insightful moments
came when Jah Phinga addressed language in music marketing.
His take was refreshingly honest:
Music connected to a particular
language travels better globally—if people understand it.
This challenges a long-held myth in
Ghanaian music that local language limits reach. Instead, Jah Phinga
suggests the opposite: clarity creates connection.
When listeners understand lyrics,
they:
- Feel the emotion
- Relate to the story
- Share the music more organically
This explains why African music with
clear linguistic identity often performs better internationally than music
trying too hard to “sound global.”
The
Shocking Spotify Revelation: America Loves Jah Phinga
Perhaps the most controversial
revelation of the interview was Jah Phinga’s Spotify Wrapped data.
His top streaming country is the
United States—not Ghana.
Ranking:
- United States 🇺🇸
- United Kingdom 🇬🇧
- Ghana 🇬🇭
- South Africa 🇿🇦
- Nigeria 🇳🇬
This statistic alone dismantles the
narrative that Jah Phinga is a regional act. It also raises a troubling
question:
Why do foreign audiences sometimes value Ghanaian
artistes more than their home country does?
Independent
but Not Alone: Life Without Management
Jah Phinga confirmed he is currently
an independent artiste, not by choice but circumstance.
He previously signed a deal that led
to collaborations with:
- Ice Prince
- Yaa Pono
Then COVID-19 hit, halting
momentum and freezing opportunities.
While he has no official management
now, he emphasized that:
- He has a solid team
- His brother Castino plays a key role
This highlights a common struggle in
African music: talent without sustainable industry support.
“Biggest
Artiste in Volta?” Jah Phinga Thinks Bigger
Asked whether he considers himself
the biggest artiste in the Volta Region, Jah Phinga delivered a line that
deserves headlines:
“The dream big pass Volta Region.”
This isn’t arrogance—it’s ambition.
For Jah Phinga, music isn’t about
regional supremacy. It’s about global impact. And that mindset alone
separates artistes chasing local validation from those building lasting
legacies.
Relationships
with Volta Artistes: Respect Without Distraction
Contrary to rumors of tension, Jah
Phinga described his relationship with other Volta artistes, including Agbeshie,
as purely musical and respectful.
He made one thing clear:
- Everyone works differently
- Not all relationships need to be personal
- Focus beats forced unity
In an industry obsessed with fake
alliances, this honesty feels refreshing.
“Keep
Winning” – A Song for the Black Stars
Jah Phinga’s song “Keep Winning”
wasn’t just another release—it was a prayer and motivation for Ghana’s
Black Stars.
“I just want to see them keep
winning to bring the love back.”
At a time when national morale
around football has been shaky, the song reflects an artiste still deeply
invested in national pride, despite industry frustrations.
Stonebwoy,
Fans, and the Problem of Idol Worship
One of the most controversial
moments came from a fan question about Stonebwoy.
Jah Phinga was clear:
- He has nothing against Stonebwoy
- His issue is with fan extremism
“People idolize people so much they
think they are saints.”
This statement exposes a dangerous
trend in Ghanaian music:
Fans attacking anyone who criticizes their favorite artiste, even
respectfully.
Healthy critique is not hate—but
Ghana’s music culture often blurs that line.
Top
5 Ghanaian Musicians According to Jah Phinga
In a bold and self-assured move, Jah
Phinga listed his Top 5 Ghanaian musicians:
- Jah Phinga
- Shatta Wale
- Sarkodie
- Medikal
- Mugeez
Placing himself at number one is
guaranteed to spark debate—but confidence has always been part of greatness.
Edem
Ayigbe & Public Apologies
Jah Phinga confirmed he’s cool
with Ayigbe Edem, shutting down speculation of beef.
He also used the platform to publicly apologize to Andy Dosty of Hitz FM for any past misunderstanding—an act that shows maturity rarely seen in the industry.
Conclusion:
Jah Phinga Is Not the Industry’s Comfort Zone
Jah Phinga’s Hitz FM interview
wasn’t polished PR—it was raw truth.
He represents:
- Artistes tired of regional boxing
- Musicians succeeding abroad but struggling at home
- Creatives demanding respect beyond labels
Love him or criticize him, one thing
is certain:
Jah Phinga is not playing small—and the industry must catch up.
“Join the conversation: Share your messages on his interview in the comments session below.”
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